LUDWIG
1973, AGFA, 238 min, Italy/France/West Germany, Dir: Luchino Visconti

Presented in its complete form in accordance with the director’s wishes, this look at the life and death of King Ludwig II of Bavaria is as opulent as any of Visconti’s sagas - a sweeping four-hour epic of 19th-century decadence. Dominated by Helmut Berger (THE DAMNED, DORIAN GRAY) in the title role, LUDWIG boasts an impressive cast: Romy Schneider (reprising her Elisabeth of Austria characterization from the SISSI trilogy), Silvana Mangano (BITTER RICE), Gert Fröbe (GOLDFINGER), John Moulder-Brown (DEEP END) and Trevor Howard (BRIEF ENCOUNTER).


FIRST MAN
2018, Universal, 141 min, USA/Japan, Dir: Damien Chazelle

Oscar-winning director Damien Chazelle reteams with LA LA LAND star Ryan Gosling for the riveting story behind the first manned mission to the moon, focusing on Neil Armstrong and the decade leading to the historic Apollo 11 flight. Based on the book by James R. Hansen, this visceral and intimate account is told from Armstrong’s perspective, exploring the triumphs and the cost - to the astronaut, his family, his colleagues and the nation itself - of one of the most dangerous missions in history. With Claire Foy. "Damien Chazelle’s sweeping and intimate new film ... takes the conquest of difficulty as both theme and inspiration." - A.O. Scott, New York Times


NEVER LOOK AWAY
WERK OHNE AUTOR
2018, Sony Pictures Classics, 188 min, Dir: Florian Henckel von Donnersmarck

“I wanted to explore human creativity and how it can be that some people take traumatic events of their lives and turn it into beautiful art,” said writer-director Henckel von Donnersmarck (THE LIVES OF OTHERS) of this portrait of an artist inspired by painter Gerhard Richter. Spanning three eras of German history, NEVER LOOK AWAY tells the story of young art student Kurt (Tom Schilling), who falls in love with fellow student Ellie (Paula Beer). Ellie's father, Professor Seeband (Sebastian Koch), a famous doctor, is dismayed at his daughter's choice of boyfriend and vows to destroy the relationship. What neither of them knows is that their lives are already connected through a terrible crime Seeband committed decades ago. Befitting its artistic theme, Caleb Deschanel’s cinematography and Max Richter’s score provide a rich burnish to the film.


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