ON THE NIGHT STAGE
1915, 62 min, USA, Dir: Reginald Barker

William S. Hart, plays “Silent” Texas Smith, a man to whom actions speak louder than words in this Western. A new parson (Robert Edeson) converts saloon dancer Belle Shields (Rhea Mitchell), drawing her away from her stagecoach robber boyfriend (Hart) – until she attracts the attention of a ne’er do well gambler. While Edeson received top billing, Hart’s charismatic virility and acting genius made him a natural standout in his second feature length film. Producer Thomas H. Ince assigned Reginald Barker to direct but the film contains the unmistakable stamp of Hart’s intuitive grasp of the new medium. With its terrifically staged, massive saloon fight, this is a wonderfully enjoyable example of early American feature filmmaking.


ROBOWAR
ROBOT DA GUERRA
1988, Flora Film, 92 min, Italy, Dir: Bruno Mattei

Ever seen PREDATOR? Well, the makers of ROBOWAR sure did. Reb Brown (YOR: HUNTER FROM THE FUTURE) leads a squad of commandos through the unforgiving jungles for some reason while being stalked by a robotic killer wearing a motorcycle helmet.


THE SISTERS BROTHERS
2018, Annapurna Pictures, 121 min, France/Spain/Romania/USA, Dir: Jacques Audiard

Based on the novel by Patrick deWitt, this reimagining of the cinematic Western is a dangerous, witty and emotionally cathartic exploration of what it means to be a man. It is 1851, and Charlie and Eli Sisters (Joaquin Phoenix and John C. Reilly) are both brothers and assassins, boys grown to men in a savage and hostile world. Each increasingly questions, and quibbles with, the other’s methods as they travel through the mountains of Oregon and eventually to the Gold Rush land of California. It’s a journey that will test the deadly family ties that bind - and may allow them to rediscover what remains of their humanity. Costarring Jake Gyllenhaal and Riz Ahmed. “This first English-language outing by the ever-adventurous French director Jacques Audiard (A PROPHET, RUST AND BONE) is a connoisseur’s delight, as it's boisterously acted and detailed down to its last bit of shirt stitching.” - Todd McCarthy, The Hollywood Reporter.


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